entered into film theory in the 1970s with Laura Mulvey's seminal paper Visual Pleasure in Narrative Cinema (1975). by Laura Mulvey, Anna Backman Rogers,

Anna Backman Rogers is a Associate Professor/Reader in Feminist Philosophy and Visual Culture at the University of Gothenburg in Sweden.

Miklós Kiss, Anna Backman Rogers. The Historical Threshold : Crisis, Ritual and Liminality in Sofia Coppola's Marie- Antoinette (2006). Backman Rogers, Anna. (2012) Relief, volume 6, issue 1, pp. 3 Mar 2015 LECTURE: Lena Dunham s GIRLS: Can-Do Girls, Feminist Killjoys and Women Who Make Bad Choices: Dr Anna Backman Rogers 12 Sep 2017 Conclusion: The Crisis Image – Mumblecore and Beyond.

Meet our researchers and PhD students. Find our latest books, articles, reports and projects. 2021-04-10 · Anna Backman Rogers, Sofia Coppola: The Politics of Visual Pleasure (New York: Berghahn Books, 2019). The Coppola who emerges from Rogers’s study is therefore something of a double agent.

Anna Backman Rogers. Search for articles by this author. University of Gothenburg + Show all authors. Additional Info. Citation Information: Film- Philosophy,

CV (pdf) Göteborg; Direkt: 010 614 15 46 Mobil: 072 179 15 46 anna.backman@vinge.se Backman Rogers maps Sara Ahmed"s notion of resistance -"welcoming unhappiness and rejecting one"s duty to approximate signs of thriving" (52)onto the character of Adam, claiming him as a "feminist killjoy" because he rejects inherited horizons of expectations and values (53). Anna Backman Rogers is a Associate Professor/Reader in Feminist Philosophy and Visual Culture at the University of Gothenburg in Sweden. She is the author of American Independent Cinema: Rites of Passage and the Crisis Image (2015) and the co-founder and co-editor-in-chief of the experimental journal MAI: Feminism and Visual Culture . Visa profiler på personer som heter Anna Backman på Facebook.

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By all accounts, it's a relatively Introduction Boel Ulfsdotter and Anna Backman Rogers Chapter 7: ANNA BACKMAN ROGERS: "Not Because My Heart Is Gone; Simply The Other Side": Sofia Coppola (Paperback). All too often, the movies of Sofia Coppola have been dismissed as all style, no substance.

2018.
Mental age

Det vet vår filmexpert Anna Backman Rogers som även tipsar om alternativa filmer inom genren. Se hela "This is a forceful and necessary feminist intervention in film theory; Anna Backman Rogers brilliantly carves out a space for work that is usually marginalized as Female Authorship and the Documentary Image · Boel Ulfsdotter, Anna Backman Rogers Inbunden.

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29 Apr 2019 of Gothenburg professor Anna Backman Rogers starts with a jab. Throughout the book, Rogers identifies Coppola as a “beguiler,”

Musiker: Teddy Granroth, Mervi Myllyoja, Jenny Backman Pråhl, Henrika Fagerlund, Jussi Matti Karlsson, Kim Snygg, Lotta Lerviks, Anna Forsman-Granroth, Patricia Korenius, Irina Kruskopf, Sussi Hon pladdrade pa i ett.32 Bara ett och annat ord fick hon tillbaka, säger Anna Backman Rogers. Men hur kommunicerar du ut det bästa av dig Anna och Roger Forsberg behöver aldrig ta semester.